Carol Lynn Pearson was born in Salt Lake City on September 27, 1939. She received an M.A. in theatre arts at Brigham Young University, where twice she won the “Best Actress” award, once for her performance of Joan of Arc in Anouilh’s “The Lark.”
After traveling the world for a year, she began writing scripts for BYU’s Motion Picture Studio. One that continues to receive attention and won numerous international awards was a short educational film, “Cipher in the Snow.”
In 1966 she married Gerald Pearson, who started her literary career by insisting that they publish a volume of her poetry. After being rejected by publishers in Salt Lake City, Gerald determined to become a publisher himself and the couple borrowed $2000 to print 2000 copies of a slim volume named Beginnings. To everyone’s surprise, the book was instantly a local best-seller and ultimately sold over 125,000 copies. That book was followed by over forty other books and stage plays.
Carol Lynn received national attention with her memoir Goodbye, I Love You, the story of her twelve-year Mormon temple marriage to man who was gay despite every effort not to be, their four children, their divorce and ongoing friendship, and his death from AIDS in her home where she was caring for him. This story, published by Random House, put her on “Oprah,” “Good Morning America” and in “People” magazine.
Many of her subsequent works have been geared toward developing understanding of LGBTQ people, particularly within religious communities. In 2019 she was given the “Impact” award by Equality Utah. Her work toward transforming patriarchy into partnership is particularly evident in a one-woman play she wrote and performed over 300 times, Mother Wove the Morning, in which she plays sixteen women throughout history in search of the female face of God, and which was given an award by Booklist as one of the top 25 videos of the year. A similar theme is addressed in a book of poetry published in 2020, Finding Mother God: Poems to Heal the World.
Many of her works have had impact within the church that she still attends, such as the disturbing and ground-breaking The Ghost of Eternal Polygamy: Haunting the Hearts and Heaven of Mormon Women and Men. In 2019 she received the “Lifetime Achievement Award” from the Association for Mormon Letters.
She lives in Walnut Creek, California.
Work
Unpinned
UNPINNED
I hope that humans never
pin down love or God.
Things pinned down
(like butterflies)
lose something (like life).
I welcome progress.
I am grateful for a long life span
for medicine and computers.
I like knowing that a black hole
is born from the death of a star
and that the universe has been expanding
for 13.8 billion years.
But let some mysteries win.
Let love and God be at liberty
to touch our faces
with bright wings
and leave wonder in our eyes
as they rise, rise
from the hand-held pin
or the hand-held pen
beautiful as a million monarchs
and free as the space beyond words.
Published in Finding Mother God
Giving
GIVING
I love giving blood.
Sometimes I walk in off the street
When no one has even asked
And roll up my sleeve.
I love watching my blood flow
Through the scarlet tube
To fill the little bag
That bears no address.
I love the mystery of its destination.
It runs as easily
To child or woman or man
Black or white
Californian or Asian
Methodist, Mormon
Muslim or Jew.
Rain does too.
Rivers do.
I think God does.
We do not.
Our suspicious egos clot
On the journey from “Us” to “Them.”
So I give blood to practice flowing
Never knowing where it’s going.
And glad.
Published in A Widening View
Pioneers
PIONEERS
My people were Mormon pioneers.
Is the blood still good?
They stood in awe as truth
Flew by like a dove
And dropped a feather in the West.
Where truth flies you follow
If you are a pioneer.
I have searched the skies
And now and then
Another feather has fallen.
I have packed the handcart again
Packed it with the precious things
And thrown away the rest.
I will sing by the fires at night
Out there on uncharted ground
Where I am my own captain of tens
Where I blow the bugle
Bring myself to morning prayer
Map out the miles
And never know when or where
Or if at all
I will finally say,
"This is the place."
I face the plains
On a good day for walking.
The sun rises
And the mist clears.
I will be all right:
My people were Mormon pioneers.
Published in Sunstone Magazine
The Steward
THE STEWARD
Heber looked at his lands
And he was pleased.
He’d be leaving them, tomorrow, and his hands
Hurt with anticipated idleness.
But he knew there was no other way
When a man is seventy-eight and has to make
Two rest stops with a full bucket of milk
Between the barn and the kitchen.
Condominiums-do they have gardens?
He wondered.
His son had arranged the place for them in town
And he was ready. He sat down
On the rock that knew his body
Better than the front room chair.
Could it really be fifty-five years ago
That sitting right there
They had talked?
His father’s voice had never left him:
“Heber, I’m trusting to you
The most precious thing I’ve got.
I worked hard for this land. You know all about
The crickets and the Indians and the drought,
And the buckets of sweat it took
To make what you see today.
I’m giving it to you as a stewardship, son.
And when your time with the land is done
And we get together again
I’m going to call you to account.
I’m going to say, ‘Heber, did you make it more
Than you found it? Did you watch it
And tend it? Did you make it grow?
Is it everything it can be?’
That’s what I’ll want to know.”
Heber looked out on the fields
That for fifty-five years had been
Green and gold in proper turn-
On the fences and the barns and the ditches
And the trees in careful rows.
Even his father hadn’t been able to get peaches.
He could hardly wait to report about those.
Margaret was finishing the last closet.
Just a few things were going to the city
And the rest rose in a mountain
On the back porch, waiting for the children
To sort through and take what they chose.
She opened the lid on a shoebox of valentines.
Perhaps just one or two for memory’s sake?
But whose-whose would she take?
She put the box aside and reached again.
“What in the world?” In an instant her face
Cleared and in her hands was the old familiar case.
The violin. She hadn’t touched it for forty years,
Hadn’t thought of it for twenty at least.
Well, there they finally were-the tears.
Her mother’s dishes hadn’t done it,
Or the little Bible she had buried with Ellen,
Or the valentines –
But there they were for the violin.
She picked up the bow.
Had it always been so thin?
Perhaps her hand had grown so used to big things,
To kettles that weighed ten pounds empty,
And to milk cans and buckets of coal.
The wood felt smooth against her chin
As she put the bow to a string.
A slow, startled sound wavered, then fell.
How did she used to tune it? Ah, well.
No sense wasting time on moving day.
If Heber should come in, he would say,
“Well, there’s Margaret – fiddlin’ around
With her fiddle again.”
He’s always said it with a smile, though.
“I could have done it,” she said out loud.
“And it wouldn’t have hurt him.
It wouldn’t have hurt anybody!”
He hadn’t minded that she’d practiced two hours
Every afternoon – after all, she got up at five
and nobody in the world could criticize
The way she kept the house
Or the care she gave to the children.
And he was proud that she was asked
To play twice a year at the church.
And music made her so happy.
If she missed a day things were not quite
So bright around the house.
Even Heber noticed that.
And then she was invited to join the symphony in town.
Oh, to play with a real orchestra again!
In a hall with a real audience again!
“But, Margaret, isn’t that too much to ask
Of a woman with children and a farm to tend?”
“Oh, Heber, I’ll get up at four if I have to.
I won’t let down – not a bit. I promise!”
“But I couldn’t drive you in,
Not two nights a week all year round,
And more when they’re performing.”
“I can drive, Heber. It’s only twenty miles.
I’d be fine. You would have to be
With the children, though, until Ellen
Is a little older.”
“But I couldn’t guarantee two night a week –
Not with my responsibilities to the farm,
And to the Church.”
“Heber, there’s no way to tell you
How important this is to me. Please, Heber.
I’ll get up at four if I have to.”
But Heber said no.
What if something happened to the car?
And then it just wouldn’t look right
For a man’s wife to be out chasing
Around like that. What would it lead to next?
Once in a while he read of some woman
Who went so far with her fancy notions
That she up and left her family, children and all.
He couldn’t see Margaret ever doing that,
But it’s best to play it safe.
Two nights a week – that was asking a lot.
So Heber said no.
It was his responsibility to take care of her.
She had been given to him, in fact.
He remembered the ceremony well,
The pledges, the rings,
And he didn’t take it lightly.
She had been given to him,
And it was up to him to decide these things.
So Heber said no.
She had seemed to take it all right,
Though she was quieter than usual
And more and more an afternoon would pass
Without her practicing.
He didn’t really notice how it happened –
The shrinking of her borders,
The drying up of her green.
If Heber ever thought about it in later years
He marked it up to the twins.
Motherhood was hard on a woman,
And Margaret just wasn’t quite the same as before.
She laid the violin in its case
And rubbed away the small wet drop
On her thin hand.
“I could have done it,” she said aloud.
“Heber, you didn’t understand.
I could have done it and not hurt anybody.
I would have gotten up at four!”
Slowly she made her way to the porch
And put the violin with the things
For the children to sort through.
“Will any of them remember?
I don’t think so.”
Heber gave a last look at his lands
And he was pleased.
He could face his father with a clear mind.
“Here’s my stewardship,” he would say,
“And I think you’ll find
I did everything you asked.
I took what you gave me – and I made it more.”
He got up and started toward the house,
Putting to his lips
A long, thin piece of hay.
“Better get movin’. Margaret will be
Needing me for supper right away.”
Published in The Growing Season
Bibliography
Beginnings, Trilogy Arts, 1968
The Search, Trilogy Arts, 1970
The Order is Love (musical play with Lex de Azevedo), Trilogy Arts, 1971
Daughters of Light, Trilogy Arts, 1973
The Flight and the Nest, Bookcraft, 1975
The Growing Season, Bookcraft, 1976
My Turn on Earth (musical play with Lex de Azevedo), Embryo Music, 1977
Will I Ever Forget This Day (with Elouise Bell), Bookcraft, 1980
Overheard at the Dance, Bookcraft, 1981
A Widening View, Bookcraft, 1983
A Lasting Peace, Randall Press, 1983
Today, Tomorrow and Four Weeks from Tuesday, Bookcraft, 1983
I Can’t Stop Smiling, Bookcraft, 1984
A Stranger for Christmas, Bookcraft, 1984
Blow Out the Wishbone, Bookcraft, 1985
Goodbye, I Love You, Random House, 1986
One on the Seesaw, Random House, 1988
Women I Have Known and Been, Gold Leaf Press, 1991
Mother Wove the Morning (one-woman stage play), Carol Lynn Pearson, 1991
The Modern Magi, Gold Leaf Press, 1998
A Christmas Thief, Gold Leaf Press, 1995
Picture Window (anthology of poems), Gold Leaf Press, 1996
Morning Glory Mother, St. Martin’s Press, 1997
The Lesson, Gibbs Smith Publisher, 1998
What Love Is, Gibbs Smith Publisher, 1999
Will You Still be My Daughter? Gibbs Smith Publisher, 2000
Girlfriend, You Are the Best!, Gibbs Smith Publisher, 2000
Fuzzy Red Bathrobe (with Emily Pearson), Gibbs Smith Publisher 2000
A Strong Man, Gibbs Smith Publisher, 2001
The Gift, Gibbs Smith Publisher, 2001
Consider the Butterfly: Transforming Your Life Through Meaningful Coincidence, Gibbs Smith
Publisher, 2002
A Sister, Gibbs Smith Publisher, 2002
The Christmas Play, Loyola Press, 2004
The Christmas Moment, Cedar Fort Press, 2005
Beginnings and Beyond (anthology of poems), Cedar Fort Press, 2005
The Runaway Mother, Cedar Fort Press, 2006
No More Goodbyes: Circling the Wagons around our Gay Loved Ones, Pivot Point Books, 2007
Facing East (stage play), Pivot Point Books, 2007
The Lord Is My Shepherd: Inspiration for Couples, Gibbs Smith Publisher, 2009
The Sweet, Still Waters of Home, Cedar Fort Press, 2011
The Ghost of Eternal Polygamy: Haunting the Hearts and Heaven of Mormon Women and Men, Pivot Point Books, 2016
Finding Mother God: Poems to Heal the World, Gibbs Smith Publisher, 2020
Links
Tribute at Equality Utah Celebration, “Impact Award,” Oct. 5, 2019
Mormon Stories Podcast
“Latter-day Faith” Podcast
RadioWest
“The Hero’s Journey of the Gay and Lesbian Mormon,” Affirmation Conference
Interview with Bob Evans, Fox 13, October 2019