Willy Palomo (he/they/she) was born in Brooklyn, New York and raised in South Jordan, Utah. A veteran of the Salt Lake City slam poetry scene, Willy founded Sugar Slam (2011-2016), Westminster University’s first slam team (2013-2020), and Plumas Colectiva (2021-Present), a powerhouse of Latine creatives based in the 801. His fiction, essays, poetry, and translations can be found across print and web pages, including the Best New Poets 2018, Latino Rebels, The Wandering Song: Central American Writing in the United States, and more. In 2019, he launched La Piscucha Magazine, a transnational literary and arts journal for creators from the El Salvador. From 2019 to 2022, he served as the director of the Utah Humanities Book Festival.
He holds an MFA in Poetry and MA in Latin American and Caribbean studies from Indiana University. He has performed at or keynoted the National Council of Urban Educators Association, the SUU Pride Film Festival, the Indiana Latino Leadership Conference, el Festival Internacional de Poesia Amada Libertad, the National Poetry Slam, and more. He has taught classes and courses on literature, hip-hop, and creative writing in universities, juvenile detention centers, high schools, and community centers.
In April 2023, he independently released his debut rap album Enter Da Boombow. His debut collection of poetry Wake the Others is due from Editorial Kalina in September 15, 2023.
Work
How I learned to read
How I learned to read
¿Are you mi Mama? 
beckoned the birdie in our favorite book.  
Cuddled and coddled, I want to brag,  
decirte that she read to me the most, 
every night. Except if you ask Mama, it was 
faith, not education, not knowledge, but the Holy 
Ghost which gave her the power to understand the scriptures, when she,
humiliated, confessed to the missionaries she didn’t know how to read. 
It never occurred to me until 
just now that if her story is true, then she never actually read me anything as a  
kid. She must have looked at 
letters & saw nothing but another endless 
maze of streets & signs, another 
nameless map of New York, left to navigate
on pure faith and instinct. She’d interpret   
pictures the same way she’d memorize streets the same way she’d read
quiet gringos, smirking as she passed. In 1st grade, I made it my goal to teach her to
read. I took out all our books in front of guests, 
spilling a library of shame into the room. I’d correct her English 
the same way I’d correct her children’s stories the same way I now write her story 
under a language she will never call home. There’s not a word for her
verdad in English, no matter how many times I try 
write it down. From a country where poets are 
executed & literacy meant little more than signing away
your name next to an X, she taught me to walk without 
zapatos, to read without an alphabet shackling my tongue. 
After Javier Zamora
Noche Buena
Noche Buena
After being stripped naked by federales
for a third time on the way to Tijuana, 
after a limp peso slipped from a tear 
in Tomas's wet underwear
and he earned the electric kiss
of a taser thrice below the navel, 
its triple pronged lips 
staining his hips purple and pink,
after running for hours over freeways
dodging the lonely lights of fathers
returning home from their graves, 
my countrymen pretend
it is the cold and not the fear
--not the women disappeared 
halfway through Guadalajara, 
not the coyote's twitch at urgent questions,
not the liquored gleam on the surface
of the officials’ M-16s--that makes them 
shiver. Cornered by a dumpster
and the wicked blade of the moon,
the huddled men wait for the van
that will hide them between scrap metal
to take them over the border. 
This is not an allegory or the sermon
of a self-enamored priest. 
My primo really crossed the border 
on December 24th, 1989
after surviving more than a decade
of war. On December 25th, 
the coyote gifted him his first Whopper
in San Diego and Tia Tere
gifted the coyote another mil quinientos
for his life. The only other gift
my primo received that Christmas 
came from the man in the dumpster. 
The man leapt out of the receptacle 
with a rattling bag of aluminum cans
and scared the living shit 
out of my primo and his companions.
The men jumped back and then
laughed like idiots
with their hands in their pockets. 
Once the man realized they were migrants,
he left and returned with a box
of galletas for them to share. 
It was all they ate for the day.
Blue, Pink, and White
Blue, Pink, and White
                                    The lake at sunset 
is the color of a trans flag. Here we are: two
          salty bitches, refusing to apologize
for our stank. Don’t mind the flies, honey. 
          They don’t harm nobody. Like you, 
our microbes have learned how to survive 
          where almost no one else can. 
We outlast salt crystals and desert 
           theocracies. Got peeps saying
we might even survive on Mars, boo! 
           You know we always been alien. 
Here, the male bison will mount one another 
           just as much as they do they gals. 
You ain’t seen eyeliner till you seen 
           our grebes, don’t know laughter 
less you been out tricking with coyotes. 
           We got cowpies better than the hair 
on some of these legislators. 
           Our eyes are the most glamourous 
mirrors and they mad they still ugly. 
          Tell Jay the real jays called and said 
ain’t no such thing as a cute billionaire. 
           You got tar on your hands, Cox. 
You got tar on your face, Jeffrey Holland.
           Me, I got a beaver, swans, avocets, 
butch-ass bison, a city full of queers 
           and natives who know my real 
name. You want hoops, I got a whole jetty. 
           You want a flag, look into the sky. 
Who you know got all these birds 
           a-flocking all the way from Canada 
to la pepita de Chile? Who you know 
           as feathered, as hooved as 
my people? Who you know die 
           this beautiful but us? 
Between mud and slush
Between mud and slush
fur gentle as smoke 
blueberry-stained gums
thumb at your temple
breath of pine and ice
a hawk in an empty sky
searching for a neck
the jackhammer of
woodpeckers beak-deep
in brush and bark
the deer look at me
like i’m in the wrong
neighborhood feet in
a stream wiggling like
amphibians i can’t
pretend i know the
names of the trees
the creatures who
live in the holes
pocking the muddy
trail what i like most
about this place is
i’m not even here
my mind holds its
breath as i breathe
with you the sky
reflected in the lake’s
eye blinking back red-
yellow tears how
grief is suspended
in the water somehow
quiet look it’s a moose
Bibliography
Wake the Others: A Biography of My Motherland, (Editorial Kalina/Glass Spider Publishing, 2023)
Links
- https://www.palomopoemas.com/news
- https://www.lapiscuchamagazine.com/
- https://www.instagram.com/plumascolectiva
- https://open.spotify.com/album/1lVv4OiGLrRdZeFIYoVDIo?autoplay=true
- https://bookshop.org/p/books/wake-the-others-willy-palomo/20237807?ean=9781957917320
- https://www.youtube.com/watch?v=umpqBKSk2GE&ab_channel=JourneyIndiana
 
                        
            
             
    